Next to a skatepark on Warschauerstraße, there’s a wall. A relatively new one—maybe a year and a half old—but already chipped, cracked, and covered in layers of paint. “Can’t expect the city to build one good wall of concrete,” he says, tracing a finger along the uneven surface, a testament to rushed construction. But maybe that’s fitting - this isn’t a wall meant to last. It’s a free canvas, a place where artists come to leave their mark, knowing full well it won’t be there for long. The air is thick with the smell of spray paint, a chemical haze hanging over the chatter of skaters and the rhythmic clatter of boards hitting pavement. Some come here with a plan, others just let the wall guide them. Styles clash, colours blend, messages get half-covered by something new before the paint even dries.
There’s no ownership here. No one defends their spot. What you create in the morning might be gone by nightfall, lost in the constant
churn of the city. And maybe that’s the beauty of it—art that exists only for a moment, just long enough to be seen before it disappears.

The following is part of an ongoing project.

An artists “mies en place”, tobacco included. Berlin, 2025

Artist behind “Stay Crusty” fills in lettering. Berlin, 2025

“I’ve been going out for about a year, but sketching since I can remember myself ” Berlin, 2025

“We’ve been making art forever. Never going out with a plan. Always freestyle” Berlin, 2025

Varying levels of forethought and planning go into making graffiti at the Dogshit spot. Berlin, 2025

Stay Crusty, made on January 16. Berlin, 2025

“Stay Crusty” ‘s hands. Berlin 2025

“I can show him how to do it but in the end everyone needs to find their own style. I think that's the most important”. Berlin, 2025

Yesterdays work is covered and today's work is made, only for it to be covered again tomorrow. Berlin, 2025

AMEN, made on January 24. Berlin, 2025

Amen’s hands. Berlin, 2025

"Plattenbau Atomic” made January 24. Berlin 2025

Giantizm’s hands. Berlin, 2025

Renzo’s hands. Berlin, 2025

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